Book to Movie:
The Lies of Locke Lamora by Scott Lynch
(4,24 Stars of 5 with 31,201 Ratings - Goodreads.com)
Summary:
Elite con artists "Gentlemen Bastards" rob the rich of Camorr city, based on late medieval Venice. Two stories interweave. In the present, the
Gentlemen fight a mysterious Grey King taking over the criminal
underworld. Alternate chapters describe history and mythology of Camorr,
the Gentlemen Bastards, and especially the protagonist Locke Lamora.(
Source: Wiki)
Born with a quick wit
and a gift for thieving, Locke Lamora dodges both death and slavery,
only to fall into the hands of an eyeless priest known as Chains,
neither blind nor a priest. A con artist of extraordinary talent, Chains
passes his skills on to his carefully selected family of orphans
“Gentlemen Bastards.”
Locke grows to lead, delightedly pulling
off one outrageous trick after another, infamous as the Thorn of Camorr —
no wealthy noble is safe from his sting. But the Gray King is slowly
killing Capa Barsavi’s most trusted men and using Locke as a pawn in his
plot to take control of Camorr’s underworld. With a bloody coup under
way threatening to destroy everyone and everything that holds meaning in
his mercenary life, Locke vows to beat the magically protected Gray
King at his own brutal game — or die trying (
Source: Goodreads)
WILL IT BE A GOOD MOVIE?
 |
| by Milena Aijala (a.k.a. qwertyprophecy) |
The ingredients are there:
Oceans 13 Jr. meets Pirates of the Carribean
- an engaging plot, full of twists and turns
- interesting characters
- a fantasy world with a mythical history
All the movie needs is a creative, fearless cook, or in other words, a capable director. This is a rather broad statement, I know, every movie needs a good director. The one needed for Locke Lamora, has to be incredibly visual. The world of Camorr - based on Renaissance Venice - is stunningly wonderful and rich.
The challenge would be to reduce the dense plot to movie-length without losing the charm and wit of the book.
FILM ADAPTATION:
Warner Brothers
bought the film rights soon after the book's release. The brothers
Kevin and
Dan Hageman (both having written the upcoming
Lego and the sequel
Hotel Transylvania 2) were to write the screenplay. Michael De Luca (Moneyball, The Social Network) and
Julie Yorn (Red Riding Hood, We bought a Zoo) are set to produce. Both don't have much experience with fantasy works, which could prove difficult.
Despite additional television rumors, as of 2013, no casting or other announcements have been released. (
Source: Wiki)
Film or TV?
Definitely the first! I suggest a movie adaptation, because the single thread of storytelling revolving around Locke Lamora probably couldn't sustain multiple episodes. But with 6 (SIX!) planned sequels (plus two upcoming novellas) "The Lies of Locke Lamora" could prove to be the opening to a stellar franchise.
Casting Possibilities:
He proved to be a big hit with the girls in Stephanie Meyer's Twilight and The Host,
which could attract more viewers. Irons has the right mix of cunning
and charm to portrait the leader of the "Gentleman Bastards".
The muscle to Locke's Brain, Jean is intimidating and strong. The upcoming star had a few indie hits and now moved on to star in the 4th Transformer movie.
He is the main adversary; the brains behind the dangerous plots Locke
finds himself tangled in. Fuelled my motives he is initially unwilling
to reveal, the Grey King is ruthless but aristocratic in his mannerisms. (Source:
camorr.com) Incidentally he is the father of actor Max Irons, which adds a great dynamic to the movies. Jeremy has a great, commanding presence with the right gravitas to the play the Grey King.
Perhaps the most formidable adversary in LoLL. The Falconer is a
bondsmage from Karthain with otherworldly magical power, able to inflict
extraordinary pain with just a few words and gestures. He is an
arrogant, forbidding individual who takes obvious pleasure in the
torture of others and works for the Grey King. He also has a bird
companion, Vestral, whose violent nature and venom-filled claws augment
the Falconer’s formidable presence. (Source:
camorr.com) Bale has strong ties with Warner Bros (
The Dark Knight Trilogy, etc) and is a great property to attract viewers. Bale has the right ambiguity and "evil-ness" to play this great role.
Lawrence proved over and over, that he is a great storyteller with a keen eye for heavy visuals with his movies Constantine or I am Legend. This was the reason he was chosen to adapt the second and third book in the Hunger Games Saga, Catching Fire and Mockingjay.